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Wednesday, August 27, 2014

For seven years the world has watched on as the 17-year-old changed from a rambunctious cherub faced youngster whose most important activity was causing playful havoc, to a fashionista and cover girl who is a style icon to many.

 
Shooting star: Kylie Jenner proves there is more than one model in the family in a stunning new V Magazine photo spread
 

Shooting star: Kylie Jenner proves there is more than one model in the family in a stunning new V Magazine photo spread

 

While the thought of growing up in front of millions of people's eyes may seem unfathomable to most, the teen told V Magazine this week she could not imagine any other life.

The reality star, who graces the fashion magazine's September issue, said: 'We [herself and sister Kendall] don’t even remember a time before the show and before the cameras and all that.

'It’s all kind of normal to us.'

Being so used to cameras no doubt helped the teenage for her shoot, with the young star showing all the posing skills of seasoned models.

 
Model material: In one image, the 17-year-old stares off into the distance while wearing a red and lace slip under a woolly Emporio Armani chevron coat that was perfectly draped around her

Model material: In one image, the 17-year-old stares off into the distance while wearing a red and lace slip under a woolly Emporio Armani chevron coat that was perfectly draped around her

 

 
Stiff competition: Kylie's older sister Kendall is in high demand as a fashion model, seen here in Paris in July
 

Stiff competition: Kylie's older sister Kendall is in high demand as a fashion model, seen here in Paris in July

 

She wowed at Sunday's MTV VMA Awards in a dazzling and intricate Charbel Zoe dress which revealed a great deal of her stunning figure.

But Jennifer Lopez was looking rather more demure as she left American Idol auditions in New Orleans on Tuesday. 

The 45-year-old star sported a pink short sleeved top and over-the-knee white skirt which was mostly made up of sheer material. 

 

 
What a cover up: Jennifer Lopez left the American Idol auditions in New Orleans on Tuesday looking a lot more demure than her racy outfit at Sunday's VMA Awards

What a cover up: Jennifer Lopez left the American Idol auditions in New Orleans on Tuesday looking a lot more demure than her racy outfit at Sunday's VMA Awards 

 

A pair of strappy white heels and several bracelets completed the look while she wore her hair in loose waves. 

The star was later joined by fellow judges Keith Urban and Harry Connick Jr who strolled behind her as the cameras rolled for the walk to their audition. 

J-Lo's appearance was in stark contrast to her eye-catching outfit in at the Los Angeles MTV event which was daringly split to the thigh with criss crossed pieces of material over her toned tummy.   

 
Back to work: J-Lo was joined by Harry Connick Jr and Keith Urban  as they made their way to American Idol auditions

Back to work: J-Lo was joined by Harry Connick Jr and Keith Urban  as they made their way to American Idol auditions

 
Sheer delight: The star sported a pink top and white skirt made mostly of see-through material, teamed with white heels

Sheer delight: The star sported a pink top and white skirt made mostly of see-through material, teamed with white heels  

 

Wednesday, August 28, 2013

Smoking hot! Lindsay Lohan shows off her healthy frame in Daisy Dukes while puffing on a cigarette

It has been almost a month since she completed 90 days of court ordered rehab.

And Lindsay Lohan is happy, healthy, and looking better than ever.

The actress was in fine form as she enjoyed a cigarette in the Soho area of New York on Tuesday afternoon with a male friend.

Smoke break: Lindsay Lohan was seen puffing on a cigarette while out in Soho, New York on Tuesday

Smoke break: Lindsay Lohan was seen puffing on a cigarette while out in Soho, New York on Tuesday

The 27-year-old showed off her lean legs in a pair of Daisy Dukes that were so short, her pockets were visible.

As Lindsay had her pins on display, she covered up the top half of her body with a baggy white top.

The redhead, who wore her trademark locks loose, kept comfortable by opting for flats in the form of brown suede ankle boots.

The Mean Girls star completed her look with aviator sunglasses, a printed tote and lots of red lipstick.

Look at my legs: The actress showed off her pins in a pair of super short Daisy Dukes

Look at my legs: The actress showed off her pins in a pair of super short Daisy Dukes

Keeping comfortable: The 27-year-old teamed the shorts with a baggy white top and brown suede ankle boots

Lindsay was seen strolling in the sunshine while smoking a cigarette, and at one point made a phone call.

Earlier in the day the former child star had enjoyed a spot of shopping while dressed in a black waistcoat and matching boots along with skinny jeans.

Things are looking up for Lindsay, who is determined to get her life back on track after her rehab stint and a candid interview on Oprah’s Next Chapter in which she admitted alcohol and Adderall addictions.

Happy and healthy: Lindsay is looking fantastic almost a month after completing 90 days of court ordered rehab

Happy and healthy: Lindsay is looking fantastic almost a month after completing 90 days of court ordered rehab

Two's company: The redhead was joined by a male friend for the afternoon stroll in the Big Apple

Two's company: The redhead was joined by a male friend for the afternoon stroll in the Big Apple

Lindsay recently wrapped filming a guest starring role on Eastbound & Down, and it has been claimed that Danny McBride was so impressed with her that he wants the embattled actress to star in his next project.

TMZ reports that Danny - who plays former baseball player Kenny Powers - with his producing partner Jody Hill, is developing a new comedy in the same vein as his hit series and he wants Lindsay as its star.

HBO have not yet agreed to the project - or Lindsay in the role.

Final touches: The Mean Girls star completed her look with oversized aviator sunglasses and lots of lipstick

Final touches: The Mean Girls star completed her look with oversized aviator sunglasses and lots of lipstick

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Tuesday, August 27, 2013

Kelly Osbourne has some advice for good friend Miley Cyrus.

The former wild child has revealed she wished the singer had 'put her tongue in her mouth' during her performance at the MTV Video Music Awards on Sunday night.

The 28-year-old has given her close pal some words of advice following her racy appearance with Robin Thicke, which featured her 'twerking' and grinding against Robin during their rendition of his hit song Blurred Lines.

Time to put your tongue away: Miley Cyrus appears to be attempting to make her signature tongue move stick, much to the annoyance of friends and fans alike
Time to put your tongue away: Miley Cyrus appears to be attempting to make her signature tongue move stick, much to the annoyance of friends and fans alike
Time to put your tongue away: Miley Cyrus appears to be attempting to make her signature tongue move stick, much to the annoyance of friends and fans alike

Put your tongue away: Miley Cyrus seems to be trying to make her signature tongue move stick, much to the annoyance of friends and fans alike, seen (L) and (C) at Sunday's VMAs and (R) at the Grammys in February

'I love you, but just put your tongue in your mouth': Kelly Osbourne has revealed her only words of advice to close friend Miley Cyrus following her raunchy VMAs performance are to stop sticking her tongue out

'I love you, but just put your tongue in your mouth': Kelly Osbourne has revealed her only words of advice to close friend Miley Cyrus following her raunchy VMAs performance are to stop sticking her tongue out

Miley, 20, also repeatedly stuck her tongue out in a suggestive manner as she danced in a flesh-coloured latex bikini and rubbed herself inappropriately with a foam finger as she simulated sex acts.Kelly insisted she loves her pal dearly before offering her words of wisdom.

She's just being Miley: Kelly defended her pal's on-stage antics, reminding her co-stars - including guest host La La Anthony - on the fashion show, 'We're not talking about her performance'

She's just being Miley: Kelly defended her pal's on-stage antics, reminding her co-stars - including guest host La La Anthony - on the fashion show, 'We're not talking about her performance'

Staunch supporter: The 28-year-old seemed to get quite worked up as she stood up for her friend

Staunch supporter: The 28-year-old seemed to get quite worked up as she stood up for her friend

'I look at the performance and, yes, I do have a lot of the same opinions as you guys about it,' she began.

'Miley's my friend and I love her, and I have her back no matter what, but, as her friend, I'm going to tell her - "Put your f*****g tongue in your mouth! I love you, but just put your tongue in your mouth."'

But Kelly did admit that she liked the unusual vintage black and jewel Dolce & Gabbana separates that Miley wore on the red carpet, as well as the bikini she gyrated in on stage.

'We're not talking about her performance, we're talking about what she's wearing,' Kelly stated. 'It's not that original [the bikini] but I do appreciate it's reminiscent of the Blurred Lines music video.'

Kelly Osbourne tells friend Miley to put her tongue in her mouth
 
'It's not that original': Kelly pointed out the similarity between Miley's nude-coloured latex bikini and Lady Gaga's see-through 2011 Grammys outfit

'It's not that original': Kelly pointed out the similarity between Miley's nude-coloured latex bikini and Lady Gaga's see-through 2011 Grammys outfit

'It wasn't even art': The singer began her rendition of We Can't Stop clad in a teddy bear one-piece, before ripping it off to reveal the nude bikini underneath in a display Cyndi Lauper calls 'raunchy' and not artistic

'It wasn't even art': The singer began her rendition of We Can't Stop clad in a teddy bear one-piece, before ripping it off to reveal the nude bikini underneath in a display Cyndi Lauper calls 'raunchy' and not artistic

Meanwhile, as celebrities continue to react to the raunchy performance, '80s popstar Cyndi Lauper has chimed in with her opinion.

As first reported by RadarOnline, the Girls Just Want To Have Fun hitmaker says she feels 'sad' for Miley.

The legendary Grammy Award-winning singer has expressed concern for the We Can't Stop star after her salacious on-stage antics, likening the routine to a Girls Gone Wild softcore porn video and branding it 'raunch' not art.

Age-appropriate: The Fashion Police star gave Miley her tick of approval for the fun vintage Dolce & Gabbana leggings and crop top she wore on the red carpet

Age-appropriate: The Fashion Police star gave Miley her tick of approval for the fun vintage Dolce & Gabbana leggings and crop top she wore on the red carpet

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The infamous tongue! The star's loose lips have caused as much commotion as her outfits and 'twerking'

The infamous tongue! The star's loose lips have caused as much commotion as her outfits and 'twerking'

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Speaking on Australian radio show Brig & Lehmo on Gold 104.3, she said: 'That was girl gone wild. So sad, so sad.

'There she is a young 20-something trying to prove she can hang with the big boys and girls, you know... basically simulating a Girls Gone Wild video on stage and I just felt like it was so beneath her and raunchy, it was really raunchy. It wasn't even art.'

The True Colors singer also aired her disapproval for the lyrical content of Robin Thicke's song, which she believes glorifies 'date rape'.

'That was girl gone wild': 1980s popstar Cyndi Lauper likened the 20-year-old's antics to that of a Girls Gone Wild softcore porn video

'That was girl gone wild': 1980s popstar Cyndi Lauper likened the 20-year-old's antics to that of a Girls Gone Wild softcore porn video

She added, 'She's in a song that literally says that the blurred lines allowed you to ... when a woman says no, she means yes, and that is frightful because that's date rape.'

The 60-year-old further pointed out that fellow performer Lady Gaga - who appeared in a revealing seashell thong bikini - exhibited tasteful artistry in her opening performance, but implied that Miley was simply seeking attention with her nude-coloured bikini and 'twerking' moves.

'Gaga mooned everybody and I was laughing to myself thinking, "This is the Naked Video Awards", but at least it was in art,' she says. 'The other one was, like, raunch.'

My, how times have changed! The Girls Just Want To Have Fun singer had her own wild child past, though coloured hair, crazy make-up and layers upon layers of kooky clothing was as 'raunchy' as it got

My, how times have changed! The Girls Just Want To Have Fun singer had her own wild child past, though coloured hair, crazy make-up and layers upon layers of kooky clothing was as 'raunchy' as it got

Saturday, February 16, 2013

In some sense we can say that insurance appears simultaneously with the appearance of human society. We know of two types of economies in human societies: natural or non-monetary economies (using barter and trade with no centralized nor standardized set of financial instruments) and more modern monetary economies (with markets, currency, financial instruments and so on). The former is more primitive and the insurance in such economies entails agreements of mutual aid. If one family's house is destroyed the neighbours are committed to help rebuild. Granaries housed another primitive form of insurance to indemnify against famines. Often informal or formally intrinsic to local religious customs, this type of insurance has survived to the present day in some countries where a modern money economy with its financial instruments is not widespread.


 
Turning to insurance in the modern sense (i.e., insurance in a modern money economy, in which insurance is part of the financial sphere), early methods of transferring or distributing risk were practiced by Chinese and Babylonian traders as long ago as the 3rd and 2nd millennia BC, respectively.[13] Chinese merchants travelling treacherous river rapids would redistribute their wares across many vessels to limit the loss due to any single vessel's capsizing. The Babylonians developed a system which was recorded in the famous Code of Hammurabi, c. 1750 BC, and practiced by early Mediterranean sailing merchants. If a merchant received a loan to fund his shipment, he would pay the lender an additional sum in exchange for the lender's guarantee to cancel the loan should the shipment be stolen or lost at sea.

Achaemenian monarchs of Ancient Persia were the first to insure their people and made it official by registering the insuring process in governmental notary offices. The insurance tradition was performed each year in Norouz (beginning of the Iranian New Year); the heads of different ethnic groups as well as others willing to take part, presented gifts to the monarch. The most important gift was presented during a special ceremony. When a gift was worth more than 10,000 Derrik (Achaemenian gold coin) the issue was registered in a special office. This was advantageous to those who presented such special gifts. For others, the presents were fairly assessed by the confidants of the court. Then the assessment was registered in special offices.
The subscription room at Lloyd's of London in the early 19th century.

The purpose of registering was that whenever the person who presented the gift registered by the court was in trouble, the monarch and the court would help him. Jahez, a historian and writer, writes in one of his books on ancient Iran: "[W]henever the owner of the present is in trouble or wants to construct a building, set up a feast, have his children married, etc. the one in charge of this in the court would check the registration. If the registered amount exceeded 10,000 Derrik, he or she would receive an amount of twice as much."[14]

A thousand years later, the inhabitants of Rhodes invented the concept of the general average. Merchants whose goods were being shipped together would pay a proportionally divided premium which would be used to reimburse any merchant whose goods were deliberately jettisoned in order to lighten the ship and save it from total loss.

The ancient Athenian "maritime loan" advanced money for voyages with repayment being cancelled if the ship was lost. In the 4th century BC, rates for the loans differed according to safe or dangerous times of year, implying an intuitive pricing of risk with an effect similar to insurance.[15] The Greeks and Romans introduced the origins of health and life insurance c. 600 BCE when they created guilds called "benevolent societies" which cared for the families of deceased members, as well as paying funeral expenses of members. Guilds in the Middle Ages served a similar purpose. The Talmud deals with several aspects of insuring goods. Before insurance was established in the late 17th century, "friendly societies" existed in England, in which people donated amounts of money to a general sum that could be used for emergencies.

Separate insurance contracts (i.e., insurance policies not bundled with loans or other kinds of contracts) were invented in Genoa in the 14th century, as were insurance pools backed by pledges of landed estates. These new insurance contracts allowed insurance to be separated from investment, a separation of roles that first proved useful in marine insurance. Insurance became far more sophisticated in post-Renaissance Europe, and specialized varieties developed.
Lloyd's of London, pictured in 1991, is one of the world's leading and most famous insurance markets

Some forms of insurance had developed in London by the early decades of the 17th century. For example, the will of the English colonist Robert Hayman mentions two "policies of insurance" taken out with the diocesan Chancellor of London, Arthur Duck. Of the value of £100 each, one relates to the safe arrival of Hayman's ship in Guyana and the other is in regard to "one hundred pounds assured by the said Doctor Arthur Ducke on my life". Hayman's will was signed and sealed on 17 November 1628 but not proved until 1633.[16] Toward the end of the seventeenth century, London's growing importance as a centre for trade increased demand for marine insurance. In the late 1680s, Edward Lloyd opened a coffee house that became a popular haunt of ship owners, merchants, and ships' captains, and thereby a reliable source of the latest shipping news. It became the meeting place for parties wishing to insure cargoes and ships, and those willing to underwrite such ventures. Today, Lloyd's of London remains the leading market (note that it is an insurance market rather than a company) for marine and other specialist types of insurance, but it operates rather differently than the more familiar kinds of insurance. Insurance as we know it today can be traced to the Great Fire of London, which in 1666 devoured more than 13,000 houses. The devastating effects of the fire converted the development of insurance "from a matter of convenience into one of urgency, a change of opinion reflected in Sir Christopher Wren's inclusion of a site for 'the Insurance Office' in his new plan for London in 1667."[17] A number of attempted fire insurance schemes came to nothing, but in 1681 Nicholas Barbon, and eleven associates, established England's first fire insurance company, the 'Insurance Office for Houses', at the back of the Royal Exchange. Initially, 5,000 homes were insured by Barbon's Insurance Office.[18]

The first insurance company in the United States underwrote fire insurance and was formed in Charles Town (modern-day Charleston), South Carolina, in 1732. Benjamin Franklin helped to popularize and make standard the practice of insurance, particularly against fire in the form of perpetual insurance. In 1752, he founded the Philadelphia Contributionship for the Insurance of Houses from Loss by Fire.[19] Franklin's company was the first to make contributions toward fire prevention. Not only did his company warn against certain fire hazards, it refused to insure certain buildings where the risk of fire was too great, such as all wooden houses.

In the United States, regulation of the insurance industry primary resides with individual state insurance departments. The current state insurance regulatory framework has its roots in the 19th century, when New Hampshire appointed the first insurance commissioner in 1851.[19] Congress adopted the McCarran-Ferguson Act in 1945, which declared that states should regulate the business of insurance and to affirm that the continued regulation of the insurance industry by the states is in the public's best interest.[19] The Financial Modernization Act of 1999, commonly referred to as "Gramm-Leach-Bliley", established a comprehensive framework to authorize affiliations between banks, securities firms, and insurers, and once again acknowledged that states should regulate insurance.[19]

Whereas insurance markets have become centralized nationally and internationally, state insurance commissioners operate individually, though at times in concert through the National Association of Insurance Commissioners. In recent years, some have called for a dual state and federal regulatory system (commonly referred to as the Optional federal charter (OFC)) for insurance similar to the banking industry.

In 2010, the federal Dodd-Frank Wall Street Reform and Consumer Protection Act established the Federal Insurance Office ("FIO").[20] FIO is part of the U.S. Department of the Treasury and it monitors all aspects of the insurance industry, including identifying issues or gaps in the regulation of insurers that may contribute to a systemic crisis in the insurance industry or in the U.S. financial system.[20] FIO coordinates and develops federal policy on prudential aspects of international insurance matters, including representing the U.S. in the International Association of Insurance Supervisors.[20] FIO also assists the U.S. Secretary of Treasury with negotiating (with the U.S. Trade Representative) certain international agreements.[20]

Moreover, FIO monitors access to affordable insurance by traditionally underserved communities and consumers, minorities, and low- and moderate-income persons.[20] The Office also assists the U.S. Secretary of the Treasury with administering the Terrorism Risk Insurance Program.[20] However, FIO is not a regulator or supervisor.[20] The regulation of insurance continues to reside with the states.
source: Insurance History
 
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